Work in Progress: If You Can’t Be Good, Be Weird consists out of four paintings in which I continued to explore the tension of control and experiment in painting. I deliberately used tape in the first layer, because of the risk that paint would slide underneath. So when the first layer was finished, I started rebuilding the grid without tape by adding the same colors and varying it to different locations on the canvas. The result is a differentiated pattern that again forced me to re-working it. Is the obsessive perfectionist in me that wants to keep things under control, but the experimentation in painting is a way of working against it. The painting keeps building onto these moments of decisions and doubts.
At some point I started to move the pattern 1 cm lower to create a new basis. The initial pattern changed completely and the new square inside a square pattern got an extra follow up in #3. Painting #2 follows the same style as painting #1 and is comprised out of the same pattern and colors, but the squared pattern is double the size of that in painting #1. While working with the same technique, I noticed that the bigger squares didn’t have the same aesthetic power as the smaller ones and therefore I added another layer of squares to gradually overlay three sizes. Incase of painting #1 and #1.5, these were both constructed out of one initial painting, but along the way they had to be separated as each part of the painting went into a different direction.
To extend the search in paint experimentation, painting #1.5, #2 and #3 received several layers of oil color in the final layers. I used the transparency of the oil paint to keep the layers underneath visible to leave things unchanged and to break free from my never ending perfectionism.
More images and info on If You Can’t Be Good, Be Weird and the work in progress, check my portfolio page.